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Contrasting Images of the Book of Revelation in Late Medieval USDL which was the first

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which was the first

act-consequentialism

the earliest known in the English language

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Contrasting Images of the Book of Revelation in Late Medieval USDL which was the firstNatasha O'Hear considers seven different visualisations of all or part of the Book of Revelation across a range of different media, from illuminated manuscripts, to tapestries, to altarpieces to paintings woodcut prints. Artists featured include the Van Eycks, Memling, Botticelli, Drer and Cranach the Elder. This study is a contribution to the history of interpretation of the Book of Revelation in the Late Medieval and Early Modern period in the form

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