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Amedeo Modigliani and Picasso certainly knew each other well
while claiming a spiritual role for this work
The striking lifesize study combined a number of technical strategies and was a major feature of the 1881 Impressionist show
It is characterized by a great freedom of execution
he will exercise another trade until 1893
Supper at Emmaus Romanticism Amedeo Modigliani and Picasso certainlyThe disciple on the right spreads his arms, recalling Christ on the cross; the other disciple, on the left, adopts a pose of surprise, ready to pounce. The innkeeper, aside, is dubious. A fowl, in still life, symbolizes death.
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